Fan favorite Robert Irwin delivered two incredible dance performances during Tuesday night’s Dancing With the Stars semi-finals.

With only one week left until a new Dancing With the Stars winner is crowned, the competition is fierce and the stakes are higher than ever. On Tuesday night (Nov. 18), the six couples who avoided elimination for nine weeks of competition brought everything they had to Prince Night.

The Week 10 theme paid homage to the late “Purple Rain” singer. The ballroom was colored appropriately, and every dance was choreographed to a Prince song. Each of the remaining couples competed with two dances in hopes of garnering a high score from the judges and enough public votes to compete in next week’s finale.

Who are the Dancing With the Stars Season 34 semi-finalists?

Season 34 of Dancing With the Stars premiered on September 16 with 14 celebrities and their professional partners.

Only six couples remained going into Tuesday’s semi-finals. Those couples are:

• Wildlife conservationist Robert Irwin & his professional partner Witney Carson
• “Parent Trap” actress Elaine Hendrix & dancing pro, Alan Bernsten
• “Secret Lives of Mormon Wives” star Whitney Leavitt & professional dancer Mark Ballas
• Social media personality Alix Earle & her professional partner Val Chmerkovskiy
• Television personality and “Traitors” winner Dylan Efron and professional dancer Daniella
• Olympic gymnast Jordan Chiles and dancing pro, Ezra Sosa

Each couple proved that they deserve to be in next week’s finale with impressive technical dances. We saw the highest scores of the season and crowd excitement from every dance, making it difficult to predict who might be eliminated tonight.

Fan favorite Robert Irwin continued to dominate with his Prince Night dances.

Robert Irwin has consistently scored well in the weeks leading up to the semi-finals. The wildlife warrior is not only extremely likable and charismatic, a trait the judges have praised him on more than once, but he’s a surprisingly great dancer!

Tuesday night’s dances were no different. Irwin and his professional partner, Witney Carson, danced a Jive to Prince’s 1984 hit “Baby I’m A Star” and a Viennese Waltz to the singer’s 2013 release, “WOW.”

The judges praised both of his performances. Bruno Tonioli called Robert’s first dance “a superstar jive.” Carrie Ann Inaba agreed, saying, “That was insane! So clean. So sharp. So bouyant. So fun. So amazing!”

Robert and Witney earned perfect 10s from the judges for their jive, and were just one point shy of another perfect score for their Viennese Waltz. The high scores put them at the top of the leaderboard for the night and earned them a spot in next week’s finale.

Watch Robert Irwin and Witney Carson’s Prince-themed dances below.

It begins with the chilling echo of machine-gun fire — an unmistakable thunder that sends shivers down the spine. Then comes the slow, haunting riff that builds into a storm of rage and despair. Metallica’s “One” isn’t just another heavy metal anthem — it’s one of the most haunting anti-war songs ever written. Released in 1989 as part of the band’s groundbreaking album …And Justice for All, “One” stands as a masterpiece that fuses technical brilliance with a story so tragic, so visceral, that even decades later, it feels as devastating as the day it was recorded.

The song draws its inspiration from Johnny Got His Gun, the 1939 anti-war novel by Dalton Trumbo, which tells the story of a young World War I soldier who wakes up in a hospital after a shell blast — only to realize he has lost his arms, his legs, his eyes, his hearing, and his ability to speak. He is alive, yet completely cut off from the world. The horror of his existence — trapped inside his own body — is at the core of Metallica’s lyrics. “Darkness, imprisoning me / All that I see, absolute horror,” James Hetfield growls, his voice trembling with the anguish of a man robbed of everything but consciousness. It’s not just a song; it’s a psychological nightmare put to music.

From the opening burst of gunfire and the whir of helicopters, “One” immediately immerses the listener in a battlefield. Lars Ulrich’s drums mimic the staccato rhythm of automatic weapons, Kirk Hammett’s searing guitar solos cut through the noise like shrapnel, and the track builds — slowly, relentlessly — into a chaotic explosion of double-bass fury. The soundscape is as cinematic as it is brutal, making the song a sonic representation of war’s inescapable trauma.

The music video for “One,” which became one of the most iconic in rock history, only deepened the song’s impact. Using footage from the 1971 film adaptation of Johnny Got His Gun, Metallica portrayed the soldier’s torment — his futile attempts to communicate with the outside world by moving his head in Morse code, his desperate plea for death. The intercut scenes of the band thrashing in a dark warehouse mirrored the soldier’s inner chaos. The result was chilling, revolutionary, and unlike anything MTV had ever seen. The video propelled Metallica into global superstardom, turning them from underground thrash heroes into one of the most influential bands in music history.

Commercially, the success was staggering. …And Justice for All went on to sell more than eight million copies in the U.S. alone, earning “One” a Grammy Award for Best Metal Performance in 1990 — the first ever awarded in that category. But beyond the trophies and sales, the song cemented Metallica’s reputation as more than just a heavy band — they were storytellers unafraid to confront humanity’s darkest truths.

Over thirty years later, “One” remains a staple of Metallica’s live shows and a rite of passage for any guitarist trying to master its intricate riffs. But more than that, it continues to serve as a haunting reminder of war’s true cost — not in numbers, but in the silent suffering of those who survive. As the final machine-gun rhythm fades into nothingness, one truth lingers: in “One,” Metallica didn’t just write a song — they captured the sound of a soul trapped forever between life and death.

Country rock icons the Eagles have announced what will be their final performances at the Sphere in Las Vegas, adding four new dates in March 2026 to close out their record-breaking residency

The band — who first took the stage at the cutting-edge venue more than a year ago — will ultimately perform 56 shows across 28 weekends, with their farewell concert scheduled for March 28.

By the end of the run, The Eagles will have performed to over one million fans, setting a new benchmark for the longest residency in Sphere history. Their achievement surpasses the previous record held by Dead & Company, who played 48 shows between May 2024 and May 2025.

A Grand Finale for a Legendary Band

Promoters say the series will give audiences “the ultimate connection to the band’s legendary catalogue in an immersive experience that only Sphere can provide.”

Tickets for the 20,000-capacity venue start at $175, with general sales for the newly added shows opening Friday, November 21, at 10 a.m. Fans can register now for early access through the band’s official website.

For those seeking an elevated experience, two premium travel packages are being offered: the “Experience & Hotel” and “VIP Experience & Hotel.” The VIP option, priced at $1,451, includes a premium seat with guaranteed full view of Sphere’s massive screen, priority entry to the venue, a two-night stay at The Venetian Resort, airport transfers, a special Eagles fan experience, and exclusive memorabilia such as commemorative keepsakes, a laminate, and a lanyard.

Opened in 2023 with U2’s 40-show residency, the high-tech venue has quickly become one of the most sought-after stages in live music. Since then, Phish (four shows), Dead & Company (48), Kenny Chesney (15), and the Backstreet Boys (35) have all headlined extended runs.

Upcoming residencies include The Zac Brown Band (six shows in December and January), No Doubt (six shows in May 2026), and another series from Kenny Chesney (five shows in June). Rumors continue to swirl that Queen + Adam Lambert and Metallica are also in talks for future Sphere engagements.

The next Eagles performance at the Sphere is set for January 23, kicking off the final leg of what has become a defining chapter in both the band’s career and the history of Las Vegas live entertainment.

At first, the interview felt like a typical YUNGBLUD conversation — fast, passionate, full of jokes and sharp edges. But halfway through, the tone shifted. His voice slowed. His eyes dropped. And suddenly the world saw not the punk-rock firestorm, but the young man underneath it.

“There were days I couldn’t get out of bed,” he admitted.
“There were nights I felt like my chest was collapsing.

He talked about the pressure to be “loud” and “fearless” all the time, even when his mind begged for quiet. He described the loneliness that hits after shows, when the adrenaline fades and the silence feels suffocating. He confessed that fame doesn’t protect anyone from mental health struggles — if anything, it magnifies them.

Fans listening said the moment felt like a punch — not because it was shocking, but because it was real.

The singer also spoke about the messages he receives from fans who say his music saved their lives. “I want to be honest with them,” he said. “If I tell them to stay, to keep fighting — then I have to be fighting too.”

Online, the reaction was immediate.
Thousands praised his vulnerability, calling it one of the most important statements he’s ever made. Others shared their own stories, creating a wave of solidarity across social media.

Mental-health advocates applauded him for refusing to glamorize the struggle. Instead, he described it exactly as it is: messy, exhausting, and sometimes terrifying. But he also made sure to say the words fans needed most:

“I’m still here. And I’m not giving up.”

For an artist whose identity has always been built on authenticity, this interview may be his most meaningful act yet.

Because in speaking up, YUNGBLUD reminded the world of something crucial:
Nobody fights alone — not even the stars who look untouchable.

From multiple Grammy nominations to unforgettable performances, including a powerful tribute during Azy’s final show, Yungblud’s star was burning brighter than ever.

But just as the anticipation for his next big tour was reaching a fever pitch, fans were blindsided by the shocking news that he abruptly pulled out of the highly anticipated Loserville Tour, leaving a void in the lineup and a sea of worried supporters.

Yungblud, born Dominic Harrison, has been one of the fastest rising stars in the rock music scene.

His unique fusion of punk rock, pop, and hip-hop elements, combined with lyrics that speak to the angst and struggles of a new generation, has earned him a fiercely loyal fanbase and critical acclaim.

This year alone, he secured three Grammy nominations, a testament to his growing influence and artistry.

His moving rendition of “Changes” during Azy’s final performance was hailed as a defining moment of the year, further cementing his place in the pantheon of modern rock legends.

Just days before the Loserville Tour was set to kick off—a tour headlined by the legendary Limp Bizkit and featuring Yungblud as direct support—the shocking announcement came: Yungblud would no longer be joining the tour.

The news sent shockwaves through the music community and left fans scrambling for answers.

The tour organizers quickly announced that Bullet for My Valentine would replace Yungblud on the tour, but the question on everyone’s lips was why such a rising star had to pull out at the eleventh hour.

In a heartfelt and candid statement released to his fans, Yungblud revealed the painful truth behind his sudden departure.

After a grueling year filled with relentless touring, media appearances, and creative projects, Yungblud shared that recent medical tests had raised serious concerns about his health.

He explained, “This year has been truly unbelievable, and I feel so lucky and honored from everything that has happened.

This week, I got home off the road and went to have some tests done like I usually do, and my voice and blood tests have raised some concerns.”

The young star went on to say that his doctor had ordered him to take an immediate break from touring for the remainder of the year to avoid any lasting damage.

Yungblud’s words struck a chord with fans worldwide: “It is in my nature to run and run until I run myself to the ground without giving a [expletive] about anything apart from the music and you guys.

But this time, I’ve been told I have to take it seriously and I can’t [expletive] around.”

With a heavy heart, he announced the cancellation of all remaining 2025 tour dates, including shows in Philadelphia, Cleveland, Washington, Mexico City, and Latin America.

“My heart is broken,” he admitted, “I don’t want to do any lasting damage to myself. We’re on a journey that I want to last forever.”

The response from Yungblud’s fans has been overwhelming, filled with messages of love, encouragement, and concern for the young artist’s wellbeing.

Social media platforms were flooded with heartfelt posts urging him to rest and recover, emphasizing that his health must come first.

While some fans expressed frustration over the canceled shows, most understood the gravity of the situation and appreciated Yungblud’s honesty and transparency.

Many took solace in his promise to make it up to them, with refunds being offered for all U.S.tickets and a special gift promised to those who signed up through his official link.

Yungblud’s story is a stark reminder of the often unseen pressures and physical toll that come with life in the spotlight.

The constant grind of touring, media obligations, and creative demands can push even the most resilient artists to their limits.

His admission that he tends to “run until [he] runs [himself] to the ground” highlights a common struggle among performers who feel compelled to give their all, sometimes at the expense of their health.

The music industry’s relentless pace leaves little room for rest or recovery, and Yungblud’s forced hiatus is a wake-up call to fans and industry insiders alike.

Despite the setback, Yungblud remains optimistic about the future.

He assured fans that he is already planning more affordable shows for Mexico and Latin America next year and expressed excitement for what’s to come.

“It’s going to be unbelievable. I can’t wait,” he said.

The Loserville Tour will continue without him, but the void left by Yungblud’s absence is undeniable.

Fans and fellow artists alike are hoping for his swift recovery and a triumphant return to the stage.

Yungblud’s sudden exit from the Loserville Tour is a sobering chapter in the life of a young artist who has captured the hearts of millions.

His candidness about his health struggles and the difficult decision to prioritize recovery over career is both brave and inspiring.

As fans, the best way to support Yungblud now is with patience, understanding, and unwavering love.

His journey is far from over, and when he returns, it will be with renewed strength and passion.

For now, all eyes are on Yungblud’s health and wellbeing, as the music world waits eagerly for the next chapter in the story of this remarkable rock star.

Jane Goodall gained acclaim for her pioneering work and fell in love twice along the way.

The renowned conservationist and animal welfare advocate, whose death at 91 years old was confirmed on Oct. 1, became the world’s foremost expert on chimpanzees after spending decades studying them in the wild in Tanzania’s Gombe Stream National Park.

While her groundbreaking research made her a global icon, both of her husbands — photographer Baron Hugo van Lawick and Tanzanian parks director Derek Bryceson — played meaningful roles in her life and career.

In July 2020, she reflected on her two marriages to PEOPLE, explaining that although they both ended, she was grateful for their influence on her work.

“If I hadn’t married [Bryceson], there wouldn’t be a Gombe today. If Hugo hadn’t come along, the chimp story [probably] would have ended,” she said, before going on to explain why she “didn’t want” to marry for a third time after her second husband died in 1980.

“I didn’t meet the right person, I suppose, or potentially the right person,” she said. “I had lots of men friends, many. I had lots of women friends too. My life was complete. I didn’t need a husband.”

Here’s a look back at Jane Goodall’s marriages to her two husbands, Baron Hugo van Lawick and Derek Bryceson.

Baron Hugo van Lawick

As Goodall told PEOPLE in July 2020, she met her first husband, Dutch photographer and filmmaker van Lawick, in 1962 when he came to photograph her for National Geographic in what is now Gombe Stream National Park in Tanzania.

During a May 2025 appearance on Alex Cooper’s Call Her Daddy podcast, Goodall opened up more about their meeting, noting that she was hesitant for him to come to Africa for the job.

“They wanted to make a film and they wanted good photographs, so they sent Hugo van Lawick and I really didn’t want him to come,” she said. “I hadn’t met him because I just wanted to be there with the chimps, you know. I didn’t want anybody and I was afraid they’d be scared of him and, you know, all my hard work would be undone.”

However, Goodall said she soon realized that van Lawick “loved animals” and “always wanted to be out there with them,” using photography as a “route” to explore his passion.

“We got on fine,” Goodall added, going on to say that van Lawick “really helped to share the knowledge that chimpanzees really are like us.”

The pair got married in 1964 and welcomed one child, son Hugo Eric Louis, before they split in 1974. The conservationist shared with Cooper that their relationship “ended gradually,” given that National Geographic stopped sponsoring his visits to Gombe in Tanzania, where Goodall was still working.

“He had to go on with his career and he got some money to do films on the Serengeti, and I couldn’t leave Gombe,” she recalled. “I had to stay … I couldn’t leave Gombe, and so it slowly drifted apart. And it was sad.”

Reflecting on their split, Goodall said she felt as though they “did the right thing” by going their separate ways, noting that they “kind of had to do it.”

“I definitely wish we could have carried on with that marriage because it was a good one,” she continued.

 In a twist no one saw coming, the worlds of rock royalty and actual royalty collided in a moment of pure musical magic. At the Royal Charity Gala last night, Adam Lambert and Catherine, Princess of Wales, stunned 5,000 guests with a jaw-dropping, emotional duet of “Bridge Over Troubled Water” — a performance that will go down in royal history.

The stage was dim. The piano whispered its first notes. From the shadows emerged Adam Lambert, his voice powerful and soul-stirring. But halfway through the ballad, a second voice joined him — soft, steady, unmistakably regal.

Duchess Kate stepped forward in a shimmering midnight-blue gown, standing tall and calm under the spotlight. She wasn’t there to impress — she was there to connect.

And then she sang.

Her voice was delicate yet commanding. Though not a trained vocalist, Kate sang with heartfelt vulnerability, each note radiating resilience.

As the final chorus swelled, all eyes turned to Prince William in the audience — and there he was, unable to hold back emotion. A single tear traced down his cheek as he watched his wife shine on stage, strong, luminous, and full of grace.

“He looked proud, deeply moved,” one concertgoer shared. “It wasn’t just the music — it was seeing Kate reclaim her light.”

Social media exploded:

“Kate’s voice wasn’t perfect — but it was real, and that made it unforgettable.”
“Adam Lambert was phenomenal, but seeing William in tears? That broke me.”
“They weren’t just singing. They were healing.”

The song choice, “Bridge Over Troubled Water”, wasn’t random. Both Kate and Adam are outspoken advocates for mental health awareness — and this performance was a message wrapped in melody:

“No matter your title, your fame, or your pain — you are not alone.”

Insiders hint that the duet may have been quietly recorded backstage after rehearsal — and that a studio release may be in the works, with all proceeds going to youth mental health charities.

This wasn’t about image. This wasn’t about politics. This was about a woman reclaiming her voice, a husband quietly overwhelmed with pride, and a glam-rock star who bridged the gap between worlds.

 In a world full of noise, two voices found harmony. And one prince, in the front row, saw the strength of the woman he loves.

Il Volo Brings Back the Magic: A Christmas Season of Harmony, Hope, and Heart

As the holiday season approaches, one of the world’s most beloved vocal trios, Il Volo, is once again ready to fill the air with harmony, nostalgia, and a touch of Italian magic. Known for their breathtaking fusion of classical crossover and pop opera, Piero Barone, Ignazio Boschetto, and Gianluca Ginoble have spent over a decade redefining the sound of modern romance and timeless tradition. And now, with Christmas just around the corner, fans around the globe are eagerly awaiting the trio’s next festive masterpiece.

 A Tradition of Elegance and Emotion

For Il Volo, Christmas isn’t just another season — it’s an emotion. Since the release of their 2013 album “Buon Natale: The Christmas Album”, which featured breathtaking renditions of “O Holy Night,” “Panis Angelicus,” “Ave Maria,” and “Silent Night”, the trio has become synonymous with the sound of a truly elegant holiday. Their angelic harmonies and lush orchestral arrangements have turned classic carols into cinematic experiences that make lights sparkle brighter and hearts feel warmer.

Over the years, their Christmas performances have evolved into cherished traditions for many fans — from grand symphonic concerts in Europe’s most majestic theaters to televised specials that bring families together. Il Volo’s power lies not only in their musical brilliance but also in their ability to unite generations through a shared love of beauty and emotion.

 A Gift Worth Waiting For

While the trio has been characteristically secretive about what’s next, whispers of a new holiday project are growing louder. Could it be a sequel to Buon Natale? A new world tour? Or perhaps a long-awaited live recording from their recent performances in Italy’s historic cathedrals?

Hints from recent interviews and social media posts suggest that something truly special is on the horizon. In a behind-the-scenes clip shared on Instagram, Ignazio Boschetto teased, “This Christmas will be very special… we’ve prepared something that comes straight from the heart.”

Fans flooded the comments with predictions: collaborations with legendary artists, new original songs, and even orchestral holiday films. Whatever form it takes, Il Volo’s next project promises to be grand, heartfelt, and timeless — just like the trio themselves.

 The Sound of Christmas, the Soul of Italy

What makes Il Volo’s music so enduring isn’t just their voices — it’s their sincerity. Piero’s operatic intensity, Ignazio’s emotional depth, and Gianluca’s romantic warmth come together to create a sound that feels like Christmas itself: nostalgic, luminous, and full of love.

Their music blends sacred hymns and popular holiday classics with a distinctly Italian elegance. Listening to Il Volo during the holidays feels like being transported to a candlelit piazza in Rome — snow softly falling, music echoing through the air, and hearts united in joy. Critics have praised their ability to “make even the most familiar carol sound new again,” and fans agree: every Il Volo performance is not just a concert, but a memory in the making.

 A Season to Remember

With Christmas fast approaching, excitement continues to build for Il Volo’s upcoming concerts — always filled with grandeur, warmth, and emotion. Rumors hint at a special holiday tour featuring orchestral collaborations and surprise duets that fans have long dreamed of. Whether it’s a new album, a live recording, or a worldwide tour, Il Volo’s Christmas promise remains the same: to bring people together through music that heals, uplifts, and inspires.

As one devoted fan beautifully wrote online: “When Il Volo sings, Christmas doesn’t just sound beautiful — it feels alive.”

This year, as the trio prepares to share their next gift with the world, one thing is certain — Il Volo’s Christmas magic will shine brighter than ever before, reminding us all of the true spirit of the season: love, hope, and harmony.

Watch: Il Volo Sings “O Holy Night” Live

 When Silence Became Comedy’s Loudest Weapon

There are sketches you remember — and then there are the ones that stop time.
For fans of The Carol Burnett Show, the Old Sheriff skit was the latter: a masterclass in how one man’s silence could be funnier than a thousand punchlines.

Tim Conway stood there, dust-covered hat tilted low, hand hovering millimeters above his holster. He barely blinked. He barely breathed. Yet somehow, he had the audience — and Harvey Korman — completely undone.

“Draw, if you dare…” Conway muttered, slower than molasses in January.

And then — nothing.

Just silence. A shuffle. A twitch.
And pure comedy gold.

 The Slowest Showdown in Television History

The setup was simple: two cowboys in a standoff. But with Conway, nothing was ever simple. Every tiny motion — the dragging of a boot, the slow lift of an eyebrow, the absurdly delayed reach for his gun — stretched the moment to breaking point.

Across from him, Harvey Korman tried desperately to play it straight. You could see the battle in his face: lips pressed together, shoulders shaking, eyes watering.

It was no use.

When Conway finally “drew” — not his gun, but an invisible finger pointed lazily toward Korman — the audience exploded. Korman crumbled, collapsing into uncontrollable laughter. Even Conway’s stone-faced sheriff broke character long enough to smirk.

“He could kill you with a pause,” one crew member later said. “That was his secret weapon.”

By the time the cameras stopped rolling, no one was standing — the cast, the crew, and even Conway himself were all doubled over in hysterics.

The Quietest Laughter in the Wild West

No special effects. No wild shootout. No punchline needed.
Just a pause, a blink, and a legend.

Tim Conway’s Old Sheriff proved that true comedy isn’t about noise — it’s about timing, patience, and the courage to let silence do the talking.

Decades later, the clip still makes fans laugh until they cry — a reminder that sometimes, the funniest moments come from the spaces between the lines.

Because in the end, Tim Conway didn’t just win the duel — he conquered television history…
one slow, impossible, glorious blink at a time.