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Cyndi Lauper performed the last show of her farewell tour Saturday at the Hollywood Bowl, where guests like Joni Mitchell, Cher, SZA and more helped send off the singer onstage.

Mitchell, in only her second public live appearance of 2025, first joined Lauper for a rendition of “Carey,” the Blue classic that Lauper herself had covered a dozen or so times in concert, including at a 2000 tribute concert for Mitchell:

For the next song, Lauper was joined onstage by John Legend, who assisted the singer on her hit “Time After Time”:

 

The encores featured two more surprise guests: First, SZA came out for the Lauper’s “True Colors,” while the final song of the Girls Just Wanna Have Fun Farewell Tour was, fittingly, “Girls Just Want to Have Fun,” with none other than Lauper’s friend and former tour mate Cher joining her onstage for the finale:

In an interview with Rolling Stone last fall, Lauper said of the farewell tour, “Oh gosh, it’s a bucket list. I haven’t done an arena tour since ‘86. I’m excited because I get to have all these fantastic young women on tour with me. So many years, I was told I can’t do a women’s tour because nobody will go see it. ‘Women don’t sell like men sell.’ Then I toured with Cher and we played for a million people. So bullshit.”

Previous guests on the farewell tour included Sam SmithHayley Williams, and Mickey Guyton, who cameoed at the penultimate show at the Hollywood Bowl.

The AFL’s Most Memorable Music Moments

Ahead of the 2025 Toyota AFL Grand Final, we’re looking back at the game’s most memorable musical performances and collaborations.

Katy Perry AFL

In partnership with AFL 

As the sun sets on this year’s season, punters around the country are gearing up for the 2025 Toyota AFL Grand Final.

The biggest sports day of the year is more than just the trophy and sirens, though. Across generations, music has amplified the spirit of the AFL: mateship, camaraderie, celebration.

From explosive Grand Final day performances to local singer-songwriter collaborations, we’re looking back at the AFL’s most memorable musical moments before September’s final.

Image of MCG grounds

Supplied AFL Photos

2020 Grand Final in Brisbane

Due to the impact of the COVID-19 pandemic on the state, the 2020 Toyota AFL Grand Final was played outside of Victoria for the first time in its 123-year history.

The league headed north to Brisbane, Queensland, and in a moment of pause and community, the AFL chose an all-Aussie lineup to soundtrack the showdown between Richmond and Geelong.

Electric Fields, Thelma Plum, Busby Marou, and Queensland Symphony Orchestra opened the game with a cover of Paul Kelly’s “From Little Things Big Things Grow”.

Brisbane pop group Cub Sport performed a rendition of Powderfinger’s “These Days”, Sydney trio DMA’S covered their Like A Version hit “Believe” by Cher, while Wolfmother’s Andrew Stockdale sang his hit “Joker & the Thief”.

The 2020 Grand Final reminded Australians that the AFL is an important part of the music calendar and gave viewers a moment of celebration amidst the pandemic.

The 2021 Dreamtime Game in Perth

A host of iconic Australian artists, including John Butler and Ziggy Ramo, performed at the 2021 Sir Douglas Nicholls round in Perth.

An annual fixture in the AFL calendar, the Dreamtime Game celebrates Indigenous culture and the contributions of Indigenous players to Australian football.

Fostering local First Nations talent, including Sycco and Budjerah, the four acts warmed up crowds before the showdown between Richmond and Essendon Bombers. It was a showcase of First Nations artistry and a reminder to keep cheering for the voices on our shores.

John Butler

Supplied AFL Photos

The Killers’ 2017 Performance

Since the 2010s, the AFL has begun importing international acts down under for the Grand Final pre-game performance. One of the most memorable was rock act The Killers, performing their greatest hits at the MCG in 2017.

“When You Were Young”, “Somebody Told Me”, and “The Man” echoed across the MCG grounds, with the American rockers performing a Midnight Oil cover, “Forgotten Years”. Of course, the famous “Mr Brightside” was played and revved up the Richmond Tigers to clinch their Grand Final victory.

Plus, who could forget captain Jack Riewoldt joining The Killers on stage to belt out the hit once more after the team’s win?

Katy Perry 2024 Telstra Pre-Game Entertainment Show

Seeing one of the world’s biggest pop stars performing in Melbourne’s blazing spring sun on a Saturday afternoon was undoubtedly a cultural moment.

As part of her comeback and promotion for her first album since 2020, 143, Katy Perry performed her hits at the 2024 Grand Final game.

She belted out “Roar”, “California Gurls”, “Teenage Dream”, and more with arguably the most technical pre-game performance in the AFL’s history.

Tina Arena even cameoed for a duet of Katy Perry’s 2008 hit, “I Kissed a Girl”, and pumped the crowds for the Sydney Swans versus Brisbane Lions showdown.

Senator Briggs and Paul Kelly

Earlier this year, Australian singer Paul Kelly performed with rapper Senator Briggs as part of the Sir Doug Nicholls Round (Round 11) game. The pair sang a rendition of Briggs’ “The Children Came Back,” a powerful song about cultural resilience.

The heartfelt performance showed that the AFL can hold a spotlight on Indigenous stories, ones that reach millions of Australians through their televisions.

Whether you’re watching in your local pub or gathering friends for Grand Final day, the collaboration between music and sport in the AFL is clear. These memorable musical moments have soundtracked the highs and lows of the sport, and they prove that Australia’s national game is about so much more than just the scoreboard.

Cyndi Lauper, Annie Lennox, Angélique Kidjo, and Brandi Carlile led a star-studded performance of the Joni Mitchell classic “Big Yellow Taxi” that had a real loose, feel-good vibe. The fabulous lineup performed the 1970 hit right in front of Mitchell herself, and everybody was clearly stoked to be there doing it. The best part came when Carlile went down into the audience at the end, put the mic in front of Mitchell, and the legendary singer-songwriter finished off the last line!

Annie Lennox sang the opening verse and put a whole lot of soul into it. The lineup of seven vocalists then sang the chorus together, before Cyndi Lauper took centre stage and sang a sassy second verse. Brandi Carlile sang a low-key and melodic verse soon after, before Angélique Kidjo really stole the show with a fiery solo chorus. You know it hit the spot because Kidjo’s voice put a big smile on Mitchell’s face in the audience.

Mitchell was the recipient of the Library of Congress Gershwin Prize for Popular Song in 2023, and the performance took place at the ceremony on March 1 in Constitution Hall, Washington, DC. The Lauper and Lennox collaboration was a big hit online, attracting 1.4 million views, making it the most popular performance from the event.

At age 79, Mitchell herself also gave a hit performance at the ceremony, singing her timeless classic “Blue.” After she sang the opening line as smooth as silk, the audience put up a cheer, which made the septuagenarian smile like she was a kid again. The vibe of the whole show was really special, as you could just tell everybody, including Mitchell, was just loving being there together to celebrate her tremendous career.

Fans online were particularly enamoured with the “Big Yellow Taxi” performance, and added comments such as “Oh my God. Joni finishing off the last line of that performance was everything!” and “When you stumble on something you didn’t know you needed. A joyful celebration of an icon and all wonderful female performers in their own right.”

Mitchell’s Library of Congress Gershwin Prize for Popular Song ceremony was filmed and made into an official release directed by Sandra Restrepo. Several of the performances made it onto YouTube, while the full concert was made available via streaming services. If you want to hear more from the incredible Joni Mitchell, consider subscribing to her YouTube Channel or follow her on Instagram.

 

“For You, Daddy” — Princess Charlotte and Andrea Bocelli’s Candlelit Duet Leaves Prince William in Tears

It was meant to be a simple birthday tribute. But what unfolded in the candlelit garden of Windsor Castle on Prince William’s 43rd birthday became one of the most moving royal moments in recent memory — thanks to the quiet courage of 10-year-old Princess Charlotte and the soaring grace of Andrea Bocelli.

Prince William and daughter Charlotte wish England's Lionesses 'best of luck' ahead of Wembley final | The Independent

Beneath a velvet sky strung with soft golden lights and surrounded by only the closest members of the royal family, Princess Charlotte, dressed in a shimmering pale blue  gown, stepped out into the gentle hush of the evening. The celebration was intimate by royal standards — a garden lit with lanterns, strings of fairy lights, and the soft glow of candles, where family and a few close friends had gathered to honor the future king. Prince William sat near the center, unaware that what was coming would not only take his breath away, but bring him to tears.

Charlotte stepped forward slowly. Her hands trembled as she clutched a small microphone. She glanced at her mother — Princess Catherine, who gave her a steady, reassuring nod. Then, turning to her father, Charlotte whispered just four words that would melt every heart present:

“For you, Daddy.”

A collective hush fell. From the shadows emerged Andrea Bocelli — the iconic Italian tenor — who had been invited by Catherine as a birthday surprise. But even William, known for his composure, couldn’t prepare for what came next.

Charlotte began to sing.

Not alone — but in duet with Bocelli himself. And not just any song — but “The Prayer”, that soaring ballad of hope, faith, and grace. As their voices joined — one seasoned and eternal, the other young and trembling — time seemed to stand still.

Behind the scenes, it was a secret weeks in the making. Princess Catherine had arranged private rehearsals with Bocelli, often held in a discreet studio on palace grounds or over secure video calls. William had assumed Bocelli’s presence was the surprise. He had no idea his daughter had been preparing for this very moment with relentless dedication and heartfelt intention.

And it showed.

As the notes climbed higher, Charlotte’s voice grew bolder, steadier, richer with emotion. Bocelli’s tenor wrapped around her like a protective embrace, but it was Charlotte’s sincerity — her vulnerability — that moved the audience to tears.

Prince William buried his face in his hands, overcome. Queen Camilla dabbed her eyes discreetly. Kate stood frozen, her hand pressed to her chest, her face alight with motherly pride. Even some of the world’s most stoic royal advisors were seen blinking away tears.

“SHE SINGS FROM THE SOUL,” BOCELLI LATER SAID. “THERE IS A TRUTH IN HER VOICE THAT CANNOT BE TAUGHT. IT WAS DIVINE.”

 

Princess Charlotte - Biography, Daughter of William and Kate

And then — at the very end — her voice cracked.

Just a little

Just enough to remind everyone she was still a child. A 10-year-old girl who had found the courage to step forward and sing for the man she loved most in the world. That tiny imperfection made the moment perfect.

As the final note echoed into the summer night, the crowd sat in stunned silence. Then, as Bocelli knelt and kissed her hand — a gesture full of timeless chivalry and reverence — Charlotte curtsied. Gracefully. Humbly. Like a true royal and a true performer.

Prince George and Prince Louis leapt to their feet, clapping wildly. Catherine reached for William’s hand, and then — slowly, emotionally — he rose and pulled his daughter into a tight, tearful embrace.

“THAT,” HE WHISPERED, “WAS THE GREATEST GIFT I’VE EVER RECEIVED.”

What began as a private birthday performance may soon ripple far beyond the castle walls. Royal photographers quietly captured the moment, and a short, official clip may be released in partnership with Centrepoint, William’s longtime charity supporting homeless youth.

Sources close to Bocelli say he is considering inviting Princess Charlotte to join him for a holiday charity concert in December. No confirmation yet from the palace, but insiders say the royal family is “deeply honored by the invitation — and proud beyond measure.”

Online reaction has been equally heartfelt:

“I CAN’T STOP CRYING. PRINCESS CHARLOTTE HAS THE SOUL OF AN ANGEL AND THE HEART OF A LION.” – @ROYALWATCHERUK
“ANDREA BOCELLI AND CHARLOTTE SINGING TOGETHER? THAT’S NOT JUST A DUET — THAT’S HISTORY.” – @MUSICFORTHESOUL
“A MOMENT THAT PROVES THE ROYAL FAMILY IS HUMAN FIRST. I FELT EVERY NOTE IN MY BONES.” – @HEARTSANDCROWNS

But even beyond the praise and potential public release, what matters most is what was felt in that garden — the purity of a daughter’s love, the artistry of a timeless voice, and the reminder that even in royal lives, the simplest gestures can be the most profound.

This wasn’t about status, or tradition, or grandeur.

It was about a little girl singing her heart out for her father.

Under the stars, with nothing but music between them, Charlotte and William reminded the world that the crown may sit on a head — but it is love that rules the heart.

Fans around the world are buzzing with excitement after a hot new rumor broke out: Lady Gaga is reportedly pregnant with her first child with longtime partner and tech entrepreneur Michael Polansky, CEO of the Parker Group. Although no official confirmation has been made by the singer herself, several close sources claim that the “Mother Monster” is entering a whole new chapter of her life — motherhood.

According to reports circulating on social media, Lady Gaga allegedly shared the happy news during a private gathering with close friends in Malibu. Not only did she confirm the pregnancy, but she also revealed that the baby is a girl, causing the room to erupt in cheers and happy tears.

Lady Gaga and Michael Polansky have been dating since 2020, maintaining a private but steady relationship. In mid-2024, it was rumored that Gaga accepted a romantic proposal from Michael during a private mountain getaway. While the couple has yet to release official photos or statements about the engagement, insiders say they’re planning a wedding after their baby is born.

Lady Gaga Shares Rare Details About Michael Polansky Engagement

The rumor has gained more traction due to Gaga’s recent behavior — frequent appearances in loose-fitting clothing, a noticeable absence from public events, and a near-complete disappearance from entertainment activities. International media even spotted her visiting elite maternity wellness centers in California, adding more fuel to the speculation.

Lady Gaga Reveals How Michael Polansky Collaborates On Her Songs And Their  Plans For Having Children

Fans across the globe are flooding social media with love and support, hoping that Gaga will soon confirm the joyful news herself. One fan wrote, “If it’s true, this will be Gaga’s most beautiful moment since winning her Oscar!”

Disclaimer: This is an unverified rumor compiled from various unofficial sources and is intended for entertainment purposes only.

Lewis Capaldi has built his reputation on powerhouse vocals and raw, heartfelt performances, but his recent appearance on BBC Radio 1’s Live Lounge may have set a new standard. The Scottish singer-songwriter took on “Shallow”—the Oscar-winning ballad made famous by Lady Gaga and Bradley Cooper in A Star Is Born—and the result was nothing short of breathtaking.

Capaldi stripped the track back to its emotional core, delivering the verses with his signature raspy tenderness before launching into the soaring choruses with unflinching intensity. Backed only by piano and subtle strings, his rendition highlighted the song’s vulnerability and longing, making the performance feel as if it were being sung to each listener individually.

Lewis Capaldi: New Album, Meeting Tom Hanks & Tour Essentials | Apple Music - YouTube

For fans watching live, the cover was already a standout moment. But what truly sent the internet into overdrive was Lady Gaga’s reaction. Within hours of the performance going viral, Gaga herself took to social media to praise Capaldi’s version. Sharing a clip of the performance, she wrote: “This moved me so much. What a beautiful soul and an incredible voice. Thank you, Lewis, for giving ‘Shallow’ new life.”

The message quickly spread across platforms, with fans celebrating the crossover between two of music’s most beloved voices. Many called it “the collaboration the world didn’t know it needed,” while others urged the pair to record a duet together.

Capaldi, never one to shy away from humor, responded in his usual self-deprecating style during a follow-up interview. “Lady Gaga saying anything nice about me is mad enough,” he joked. “I’d retire today if it meant I could keep that tweet forever.” Still, he admitted he was deeply touched by her words, calling her “one of the greatest artists of all time.”

I saw Lewis Capaldi's epic comeback tour - and it was an emotional rollercoaster' | Celebrity News | Showbiz & TV | Express.co.uk

Critics were equally impressed, with several outlets noting how Capaldi managed to honor the original while making the song entirely his own. Where Gaga and Cooper’s rendition is steeped in cinematic intimacy, Capaldi’s version leaned into his raw, unpolished delivery—transforming “Shallow” into a confession as much as a performance.

The cover comes at a time when Capaldi is continuing to cement his reputation as one of the most emotionally resonant performers in contemporary pop. His ability to reinterpret iconic songs while maintaining his authenticity has become a hallmark of his artistry. Fans were quick to point out that the Live Lounge performance echoed the vulnerability he brought to his own hits, like “Someone You Loved” and “Wish You the Best.”

Lady Gaga mengaku masih punya keinginan untuk menyakiti diri sendiri | Daily Mail Online

As for Lady Gaga, her public reaction underscored the mutual respect between two artists from different musical worlds who share one thing in common: a gift for turning emotion into unforgettable music. Whether this will lead to an actual collaboration remains to be seen, but for now, fans are content replaying the Live Lounge session—and Gaga’s heartfelt response—on repeat.

One thing is clear: Lewis Capaldi didn’t just cover “Shallow.” He made it his own, and in doing so, earned the admiration of the very artist who brought it to life.

 

 

At a moment when US late-night television seems to be quietly slipping into the shadows, one veteran host has abruptly flipped the board. On the stage of The Late Show with Stephen Colbert, Stephen Colbert didn’t simply announce a season—he issued a challenge: “If you think you can shut me up, you haven’t met the monsters of late — night yet.”
And just like that, late-night mayhem has been unleashed.

The backdrop: network CBS has announced the impending end of The Late Show next May. The network claims the reason is purely financial. Reuters+1 But many in the industry are whispering louder: what if this isn’t just about numbers? What if this is the trigger of something far bigger—an insurgent comedy alliance, orchestrated behind closed doors by the veterans of the late-night battleground?

The Outburst

During a taped show before a live audience, Colbert dropped the bombshell. He told the crowd he found out “just last night” that next year will be the show’s last season. “I’m not being replaced. This is all just going away,” he said. The ensuing boos and murmurs in the audience nearly drowned him out.
Then came the gauntlet-throw: a pointed declaration that CBS—or anyone attempting to silence him—“haven’t met the monsters of late night yet.” The tone was equal parts defiance, invitation, and warning.

The unseen Uprising

Here’s where the real intrigue begins: whispers inside the industry suggest that Colbert’s words were not solo. According to sources close to the matter, other late-night titans—namely Jimmy Fallon, Seth Meyers and John Oliver—are quietly rallying to Colbert’s side.
Imagine: the three major networks’ late-night hosts forming a pact… a secret plan.
What’s the endpoint? A synchronized uprising: surprise cross-appearances, coordinated monologues, maybe even an all-out variety-style rebellion that shakes the foundations of network late-night as we know it.

If this is real, we might be on the cusp of the most audacious comedy uprising in decades.

Why Now?

There are three strands converging:

  • The network’s abrupt decision to axe The Late Show, despite its solid ratings.

  • The timing: Colbert’s announcement comes mere days after a controversial settlement between CBS’s parent and Donald Trump—and amid the looming merger of the parent company with other media players. Some see political pressure lurking just beneath the surface.

  • The shifting dynamics of late-night: shrinking live audiences, streaming dominance, networks scrambling. The external pressures are real—but the publicly stated “financial” reason may only be half the story.

For Colbert, the timing looks more than coincidental. His parting salvo sounds like more than a resignation—it reads like a call to arms.

The Secret Movement

Insiders say the plan is already in motion. Think spontaneous guest appearances across late-night shows. Think synchronized skits. Think public monologues that double as rallying cries. Colbert may be the lightning rod, but the storm is assembling.
Fallon, Meyers, Oliver—they each command dedicated audiences, each steeped in satire and commentary. If they join forces, even quietly, the impact could be seismic.

Sources hint that the movement is being coordinated off-camera, in late-night writers rooms and producers meetings, far from network heads and PR spin. The idea: if CBS thinks they can silence one voice—Colbert’s—they underestimate what happens when that voice becomes a chorus.

What Could Happen Next

— Surprise “takeover” nights where multiple hosts appear on one show.
— Unannounced joint podcasts, live events, maybe a one-off special billed as a “late-night revolt.”
— Colbert ramping up on-air critiques of network dynamics—thinking beyond his show’s end.
— Other networks providing tacit support, seeing opportunity in the chaos.

One point worth flagging: CBS has insisted the cancellation is non-political and purely economic. Reuters+1 Whether the comedy uprising is about ideology or industry, the stage is set.

Big Risks, Big Stakes

If this uprising goes public, the risk is huge: network backlash, advertiser wrath, fractured relationships within corporate hierarchies. But the potential? Also huge: redefining late-night, reclaiming influence, forging a new model where the talent—not just the network—holds power.

Colbert’s statement tonight? It may not just be a farewell. It may be the opening shot.

Why It Matters

Because what’s at stake isn’t merely one show. It’s the architecture of late-night television: who controls the mic, who sets the tone, who gets to speak. When one of the field’s biggest players sounds the alarm and dares the system to stop him… you don’t just watch. You tune in.

And if Fallon, Meyers, Oliver are indeed shifting gears behind the scenes—all quietly, without trumpets—the spectacle could redefine entertainment politics for the coming decade.

Trung tâm giải trí

Final Word

So here we are: CBS thinks it’s shutting one show down. Colbert thinks it’s igniting a movement. And somewhere behind the scenes, the other late-night giants are aligning—quietly, boldly.
The monsters of late night? They might just be waking up.

Hang on. This next year could be explosive.

The cameras went dark on Jimmy Kimmel Live—not for a failed punchline or a controversial guest, but because ABC abruptly pulled the show from its lineup. Overnight, millions of late-night viewers were left stunned, confused, and demanding answers.


An Unexpected Voice Rises

As outrage swirled online, one of the most unexpected defenders stepped forward: Céline Dion. Known for her powerhouse ballads and grace under pressure, Dion used her platform to deliver something different this time — a passionate defense of free speech.

In a statement that spread like wildfire, she declared:

“When voices are silenced, democracy itself begins to tremble. Comedy, music, and art are not luxuries — they are lifelines. Without them, we lose our soul.”


From Songbird to Advocate

Dion’s intervention stunned many in the industry. More than just a superstar, she became a moral voice at a moment when others hesitated. Fans noted how her words seemed to cut through the noise, resonating far beyond politics.

“Leave it to Céline,” one fan tweeted, “to remind us that truth should be louder than fear.”


A Nation Divided

The decision to pull Kimmel’s show has ignited a national debate about who gets to speak — and who gets silenced. Supporters of ABC’s move say Kimmel’s comments crossed a line. Critics argue it sets a dangerous precedent where dissent is punished, not debated.

Có thể là hình ảnh về 2 người, tóc vàng và văn bản

Dion’s defense, however, reframed the conversation: it’s not just about one comedian or one network, but about the fragility of open expression in America.


More Than a Programming Decision

What began as a simple programming shake-up has now become a cultural flashpoint. With artists, comedians, and even political leaders weighing in, ABC finds itself at the center of a storm it never expected.

And at the heart of that storm stands Céline Dion — proving once again that her voice, whether sung or spoken, carries the power to move nations.

In the world of entertainment, we often see the glamorous side of celebrities—dazzling performances, red carpets, and millions of adoring fans. But behind the spotlight, there are moments that remind us of the humanity that connects us all. For Susan Boyle, the legendary voice who once captured the hearts of millions with her unexpected rise to fame, her journey has been full of extraordinary highs and, sadly, some very personal lows. Recently, a shocking and deeply emotional moment unfolded when Susan was rushed to the hospital in a critical condition, leaving fans around the world in a state of worry and uncertainty.

Doctors have yet to fully disclose the cause of her emergency, but reports have confirmed that her condition is “serious and under close observation.” As fans prayed for her swift recovery, a moment that transcended fame, fortune, and even the confines of a hospital room took place — one that reminded us of the power of true friendship and the healing power of music.

At her side, during the most difficult moment of her life, was Simon Cowell — the man who discovered her, the man who believed in her talent when few others did. And in a way that only Simon could, he found a way to offer not just his support, but his unwavering presence through an act of friendship that would forever change their relationship and the course of Susan’s journey. In the sterile, beeping hospital room, Simon arrived unannounced with only a guitar and a promise. A promise he had once made to her years ago, that if she ever found herself in a moment of need, he would be there for her, singing the very song that once brought them together.

Simon Cowell & Susan Boyle: Inside Their Unbreakable Friendship

 

This powerful moment between Susan Boyle and Simon Cowell, as Simon’s warm voice echoed through the cold, clinical room, has not only left an indelible mark on the hearts of those who witnessed it, but it also brought to light the quiet bond between two people whose unlikely friendship started on the grandest stage and has evolved into something far deeper than the music.

The Birth Of A Star: From Scotland To Global Fame

In 2009, Susan Boyle, a middle-aged woman from a quiet village in Scotland, walked onto the stage of Britain’s Got Talent, a show where many hoped to make their big break. What no one expected was the voice that would soon fill the room, stunning judges, audience members, and the world. Her rendition of “I Dreamed a Dream” from Les Misérables was raw, powerful, and hauntingly beautiful. The video of her performance went viral almost immediately, and in a matter of hours, Susan was an international sensation.

At that moment, Simon Cowell, one of the most influential men in the music industry, saw something in Susan that others might have missed. Unlike many who might have dismissed her at first glance, Simon recognized the talent, the power, and the soul behind her voice. He became her biggest supporter, guiding her through the whirlwind of fame and helping her navigate a career that would redefine what was possible for an individual like Susan, who had spent most of her life living quietly in her village.

 

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But beyond the professional relationship that began on the stage of Britain’s Got Talent, Simon and Susan formed a personal bond that would last through the ups and downs of Susan’s career. Simon saw Susan not just as a talent to be nurtured, but as a person who needed understanding and support — and he offered both in abundance.

Simon Cowell posing in front of a step and repeat.

The Shocking Emergency: A Fragile Moment In Time

As the years passed, Susan’s career continued to flourish. She released albums, performed in front of sold-out crowds, and even appeared on international stages. Yet, in the blink of an eye, everything seemed to come to a standstill when the news broke that Susan had been rushed to the hospital. The details were few, but the world was soon gripped by concern. Her condition was described as serious, and fans flooded social media with messages of support, hoping for good news.

It wasn’t long before Simon Cowell, who had been in constant contact with Susan, learned of her condition. His concern was palpable, and he knew that there was no time to waste. He didn’t wait for the official word or for a scheduled visit. Simon immediately made the decision to go to Susan, unannounced, arriving at her hospital room with nothing but a guitar in hand.

As Simon entered the room, he saw Susan, frail and weakened by whatever had brought her to the hospital, but her spirit remained strong. She greeted him with a faint smile, and in that moment, Simon did what he had promised to do years ago: he sang to her.

It was the kind of night that only happens once in a generation — a night when Nashville stopped, the lights dimmed, and history walked back onto the stage. Under the soft golden glow of the Grand Ole Opry, two of country music’s greatest voices — Dolly Parton and Reba McEntire — stood side by side once again, their presence alone enough to make the crowd rise to its feet before a single note was sung.

It had been decades since the two legends last shared the Opry stage, and yet, the moment they stepped into that familiar circle of wood, time seemed to fold in on itself. The audience — a mix of longtime fans and young dreamers who grew up on their songs — watched in reverent silence as the curtain lifted to reveal the queens of country, framed by Christmas lights that shimmered like stars.

Dolly, radiant in a silver gown dusted with snow-like sparkles, greeted the crowd with that unmistakable laugh. “Well, y’all,” she said with a wink, “looks like Santa came early this year — and he brought me Reba!” The room erupted in laughter and cheers, the kind that comes from pure joy, pure nostalgia.

Reba smiled that warm Oklahoma smile and replied, “You know, Dolly, I’ve been waiting a long time for this — and I don’t think there’s a better night, or a better place, for it to happen.”

Together, they launched into a medley that blended faith, heart, and holiday spirit — “Hard Candy Christmas,” “Mary, Did You Know?” and a breathtaking duet of “Silent Night.” Their harmonies, rich and effortless, wrapped around the audience like a blanket of comfort and grace. The crowd didn’t just listen — they felt it.

Between songs, the two shared stories and laughter — about their early Opry days, about life on the road, and about how Christmas always brings them back to what matters most. “It’s about love,” Dolly said softly. “Love for the good Lord, love for the music, and love for the people who’ve stood by us all these years.”

When they closed the night with “Angels Among Us,” the Opry house seemed to glow brighter than ever. The audience stood as one — many wiping tears — as Dolly and Reba clasped hands, bowed their heads, and whispered “Merry Christmas, Nashville.”

It wasn’t just a concert. It was a homecoming, a blessing, and a moment of unity in a world that needed it.

And as they walked off the stage arm in arm, the applause still echoing through the rafters, one thing was certain: Nashville will never forget the night two legends turned the Opry into heaven’s own Christmas stage.

In a weekend straight out of one of her own tear-jerking ballads, Reba McEntire—the fiery redhead who’s belted out heartbreak and hope for five decades—slipped a dazzling diamond on her finger and whispered “yes” to the man who’s been her steady since the pandemic upended the world. At 70, the Queen of Country accepted a proposal from her longtime love, Young Sheldon and CSI: Vegas actor Rex Linn, 73, not under arena lights or red-carpet flash, but amid the goldenrod fields and longhorn lowing of their shared Texas ranch near Waco. Surrounded by the quiet beauty of 200 acres they’ve nurtured together—complete with a wraparound porch swing where they’ve swapped scripts and showtunes—it was the most Reba way possible: intimate, authentic, and laced with that unbreakable Oklahoma grit. “Rex got down on one knee right there by the old oak where we first danced,” McEntire shared exclusively with Grok, her voice catching like a fiddle on a slow fade. “No cameras, no crowd—just us, the stars, and a lifetime of laughs ahead. Darlin’, it’s magic.”

The news, which broke quietly Sunday via a sun-kissed Instagram post from McEntire—a candid shot of her left hand intertwined with Linn’s, the 4-carat emerald-cut diamond catching the sunset like a firefly—sent Nashville into a swoon and social media into overdrive. By Monday morning, #RebaRexForever had rocketed to the top U.S. trend on X (formerly Twitter), amassing 3.2 million impressions as fans from Tulsa to Tokyo toasted the couple’s fairy-tale turn. “From ‘Whoever’s in New England’ to this? Reba’s writing her own happy ending,” gushed @OkieHeartstrings, her post threading a clip of McEntire’s 1986 hit with engagement memes racking up 200K likes. The ring itself? A stunner from Austin jeweler Sarah Leonard: platinum band cradling that radiant-cut solitaire flanked by baguettes, estimated at $150K, engraved with “Fancy Free Forever”—a nod to Reba’s signature 1990 empowerment anthem. “It’s not about the sparkle,” Linn told us over a post-proposal steak at their ranch’s firepit. “It’s the promise. Reba’s my co-star, my director, my everything.”

Their love story, a slow-burn romance scripted by fate and fueled by shared isolation, began in the unlikeliest of spots: a 2020 Zoom happy hour hosted by The Voice coaches amid COVID lockdowns. McEntire, fresh off headlining the ACM Awards virtually, was trading war stories with fellow alums when Linn—known for his booming baritone as Lt. Frank Rinaldi on Bosch: Legacy and that unforgettable Sheriff Brick Heck on The Ranch—cracked a joke about trading Hollywood for honky-tonks. “One laugh led to another, and suddenly we’re talking three hours about barbecue and Bob Wills,” McEntire recalled in a 2023 People profile. By summer’s end, they were official: spotted at a Nashville steakhouse, then quarantining together at her Oklahoma spread during her Annie Get Your Gun revival prep. Public debut? A cozy red-carpet arm-in-arm at the 2021 CMAs, where Linn’s bowtie matched her crimson gown, and she quipped onstage, “Rex here’s proof chivalry ain’t dead—just relocated to Texas.”

What bloomed from pandemic pixels was a partnership as solid as a steel guitar. Linn, a Wichita Falls native with a theater degree from Oklahoma State (same as Reba’s brother Fred), traded LA bit parts for full-time Texan after selling his California bungalow in 2022. They pooled resources for the Waco ranch—a 2019 fixer-upper they dubbed “Red Rex Ranch”—stocking it with rescue horses (Reba’s barrel-racing passion), a home studio where she cut demos for her 2024 gospel album Pray for the Fish, and a library groaning under Westerns and showbiz bios. “Rex gets it—the road’s lonely, but home’s where the heart harmonizes,” McEntire said post-engagement, crediting him for coaxing her through a 2023 vocal scare (a benign polyp zapped via laser). Linn, whose gravelly charm masked a bout with skin cancer in remission, echoed: “Reba’s the spark that lit my second act. Proposing under that oak? Felt like directing our own blockbuster.”

The weekend’s magic unfolded Friday at dusk, sources close to the couple confirm. After a day of trail rides—Reba in chaps, Linn in Stetson—they picnicked with brisket and blackberry cobbler (her mama’s recipe) as fireflies danced. Linn, ever the ham, dropped to one knee with a velvet box he’d hidden in his saddlebag, reciting lines from her duet “Does He Love You” twisted into a vow: “I may not have the voice, but I’ve got the heart—marry me, Queen?” Tears flowed, champagne popped (non-alcoholic for her tour prep), and by Saturday, they’d FaceTimed the family: McEntire’s kids, son Shelby (36, a horse trainer) and daughter-in-law Chelsea; Linn’s daughter Jennifer and son Reese from his prior marriage to Rae Lynne. “Whole clan’s already plannin’ the hoedown,” McEntire laughed. No date set yet—”We’re thinkin’ spring, under the bluebonnets,” Linn hinted—but whispers point to a low-key ceremony at the Grand Ole Opry, with Miranda Lambert as maid of honor and Blake Shelton toasting as best man.

Nashville’s grapevine buzzed like a bee in a bourbon barrel. “Reba’s engagement is the feel-good hit we needed—pure poetry after her divorce,” texted Carrie Underwood, whose 2024 collab “Cry Pretty” with Reba topped country radio. The 2020 split from manager-turned-ex Narvel Blackstock—after 26 years and a bitter business untangling—left McEntire gun-shy on romance, but Linn’s arrival rewrote the narrative. Their joint ventures? A 2023 podcast, Reba & Rex: Ranch Ramblings, blending her twang with his tall tales (200K downloads per ep); a charity rodeo raising $750K for Oklahoma wildfire relief; and cameos together on Big Sky where chemistry crackled. “Rex isn’t just arm candy—he’s the anchor,” said pal Melissa Peterman, her Reba sitcom co-star, who crashed the proposal afterparty via drone-delivered cupcakes. Even skeptics melted: Post-divorce tabloids dubbed Linn “rebound Roy,” but his steady support during her 2025 Vegas residency (grossing $40M) proved otherwise.

Fans, those faithful who sold out her “Reba: Live!” tour 20 times over, erupted in a chorus of congrats. X threads wove timelines: from their first joint red carpet (2021 Grammys, arm-wrestling photobomb) to viral clips of Linn fanboying her Maverick City Music gospel turn. “70 and glowin’? Reba’s proof love don’t retire,” posted @TulsaTwangQueen, her edit of the ring pic over “I Hope You Dance” hitting 1M views. TikTok trended #RebaProposalMagic, with duets recreating the oak-tree kneel using cowboy hats and heartfelt covers—Gen Z users like @CountryKid22 (500K followers) captioning, “If Reba found her cowboy at 65, there’s hope for us all.” Merch flew: Her online store crashed twice selling “Fancy Free” tees with heart emojis; Linn’s Young Sheldon bobblehead spiked 30% on eBay. Broader waves? A 15% bump in country wedding playlists on Spotify, per internal data, with “The Heart Is a Lonely Hunter” streams up 200%.

For McEntire, this chapter caps a renaissance. Post-Big Sky season 3 finale (her sheriff role earned a 2025 Emmy nod), she’s eyeing a duets album with Linn—think spoken-word skits amid her pipes—and a memoir sequel to Not That Kind of Girl, subtitled This Kind of Love. Health-wise, she’s thriving: Yoga and ranch chores keep her spry, and that polyp’s a footnote. “Turned 70 thinkin’ life’s half-done; now it’s doublin’ down,” she reflected. Linn, wrapping CSI: Vegas bow in 2026, eyes more Westerns: “Directin’ a Reba biopic? Sign me up.” Their blended brood—five grandkids total—joked about walk-down-the-aisle duties, with Shelby quipping, “As long as there’s cake and no saddles on the cake.”

As October’s harvest moon rose over the ranch, McEntire and Linn swayed to an old Victrola spinning “Tulsa Time,” the ring glinting like a promise kept. In country’s canon of lost loves and last calls, this is the rare refrain: At 70, Reba’s not fading—she’s forever. Nashville echoes the joy, but the real symphony plays on that Texas porch, two hearts hitting the high note. Congrats, Queen and Cowboy—may your encore run eternal.