It doesn’t get much more intimidating than this. Ghost frontman Tobias Forge took to the stage in Stockholm to perform Queen’s “Bohemian Rhapsody” in front of an audience that included Queen legends Brian May, Roger Taylor, and current frontman Adam Lambert. Even Sweden’s King Carl XVI Gustaf was in attendance. Forge, masked as always, looked understandably nervous at first but quickly found his stride. He was joined onstage by Opeth guitarist Fredrik Åkesson and the Eric Ericson Chamber Choir, adding both power and elegance to the legendary rock anthem.

This standout performance took place during the 2025 Polar Music Prize ceremony—often described as the “Nobel Prize of music.” Forge’s cover was one of several musical tributes celebrating this year’s honorees, which included Queen, jazz great Herbie Hancock, and soprano/conductor Barbara Hannigan.

Queen Takes the Spotlight

Receiving the award, Brian May shared a heartfelt reflection:

“In this special moment, I contemplate how that younger Brian May in 1974 would have felt if he knew that we would be living this kind of dream 50 years in the future.”

Roger Taylor added:

“We were fortunate in the fact that our four wildly different personalities came together to achieve a wonderful chemistry.”

Speaking on behalf of the organizers, Marie Ledin, managing director of the Polar Music Prize, said:

“Queen, a band synonymous with the very fabric of pop culture, have made an impact on music that spans decades, generations and genres. They are a most deserving recipient, beloved the world over.”

Music Royalty Meets Musical Tributes

The Polar Music Prize, founded in 1989 by ABBA’s former manager Stig “Stikkan” Anderson, is known for honoring global music icons. Past winners include Paul McCartney, Metallica, Bob Dylan, and Led Zeppelin. Winners receive one million Swedish Krona and a live musical salute—sometimes from the very artists they’ve inspired.

This year’s show, broadcast live from Stockholm’s Grand Hôtel, also featured performances by Adam Lambert, Erik Grönwall, Miriam Bryant, and jazz artists Esperanza Spalding, Robert Glasper, and Leo Genovese. And when Forge belted out “Bohemian Rhapsody” in his own theatrical style, it was a fitting tribute to a band whose music has never stopped evolving—or inspiring.

Watch Ghost’s amazing performance of this classic Queen track in the video below:

Adam Lambert, a devoted Elvis Presley fan, delivered a powerful tribute to the King of Rock and Roll, melting thousands of hearts of ecstatic fans. With his signature vocal strength and commanding stage presence, Lambert honored the music legend in a way that felt both personal and electrifying. His deep admiration for Elvis shone through every note, creating a moment that left fans in absolute awe.

Adam Lambert took on an Elvis Presley classic from 1956, channeling the spirit of early rock and roll with his own bold touch. His powerhouse vocals and magnetic stage presence made the performance feel fresh while honoring the King’s timeless energy.

The moment he stepped on stage, the crowd was mesmerized, drawn in by his effortless ability to blend nostalgia with modern flair. Every note carried intensity, passion, and a deep respect for the original. With a voice that carried both power and precision, he honored Elvis’s legacy while making the song entirely his own.

His performance struck the perfect balance between old-school rock ‘n’ roll and modern charisma. As the final note rang out, the crowd’s thunderous applause said it all. “Elvis’s music has always been a huge influence on me,” Lambert shared with the crowd. “To be able to stand here and perform his song in front of you all means the world to me.”

Adam’s rendition of “Blue Suede Shoes” has received tons of compliments such as “Adam did not try to copy Elvis. His performance was brilliant. The Elvis impersonators are mostly horrific and insulting to Elvis’s memory” and “Vocal god indeed, and so easy on the eyes. Adam Lambert was the only one that night that gave me the Elvis vibes the way I remember him.”

“There’s only one Boss in America.”
Those words, spoken by Bono on Jimmy Kimmel’s show, were meant as a cheeky show of solidarity with his friend Bruce Springsteen. But no one—absolutely no one—could have predicted what would happen just a few nights later.

It started as a typical charity concert, organized under the banner of Bono’s ONE Campaign, bringing together artists from around the globe to raise money for AIDS relief and other humanitarian causes. The location? Madison Square Garden. The audience? Packed with celebrities, diplomats, and 20,000 fans lucky enough to snag a ticket.

What wasn’t on the program—what wasn’t even whispered backstage—was that this would become the most politically charged and shocking performance of Bono and Bruce Springsteen’s careers.

The Build-Up: A Brewing Spat with Trump

Just days earlier, Donald Trump had posted an all-caps tirade on his Truth Social platform, calling for an investigation into celebrities who had endorsed Kamala Harris.
“HOW MUCH DID KAMALA HARRIS PAY BRUCE SPRINGSTEEN FOR HIS POOR PERFORMANCE DURING HER CAMPAIGN?” Trump thundered. He accused Bono, Beyoncé, Oprah, and others of accepting “illegal campaign contributions.”

Bono, in his trademark cool, had dismissed the claims.
“To be in the company of Bruce Springsteen, Beyoncé, and Oprah? I’d play tambourine in that band,” he quipped on Kimmel.
He also made it clear: “U2 has never been paid or played a show for any candidate. Ever.”

Still, the words lingered. The insult burned.

And then came the night of the concert.

The Setlist Twist

Bono was scheduled to perform a solo acoustic set, followed by a brief appearance by Springsteen to close the night. Simple enough.

But when Bono stepped up to the mic, something was… different.

He began with One—a crowd favorite. But midway through the second verse, he stopped.
“I wasn’t planning to say this,” he said, voice tight with emotion. “But some things need to be said… and sung.”

The lights dimmed. The crowd murmured.

“I’d like to invite my brother Bruce up here. We’re going to do something special tonight.”

Bruce Springsteen appeared, guitar in hand, wearing a simple black t-shirt that read:
“ONLY ONE BOSS” in bold white letters.

The crowd erupted.

The Unexpected Medley

Without any introduction, the two launched into a blistering version of Born in the U.S.A., but this was no patriotic sing-along. The tone was angry, urgent—an anthem reclaimed.

Then came the twist. As the final chords faded, Bono leaned in and whispered something to Bruce.
Suddenly, they shifted into a cover of This Land Is Your Land, the old protest song by Woody Guthrie—except they rewrote the final verses live, on stage.

“This land is your land… but not for hate,
Not for greed, not for walls at the gate…
From the deserts of Texas to New York town,
No one man can tear us down.”

The arena fell silent—then thundered with applause.

The Final Blow

As the cheers echoed, Bono addressed the crowd:
“We are not paid to be here tonight. We are not paid to speak our truth. We are here because silence helps no one.”

Then Bruce stepped forward, visibly fired up.
“When the powerful attack the artists, when they attack free speech, when they lie about what we do, they attack the heart of America.”
He raised his fist. “I will not be silenced. I will not be bought. And no, Mr. President, no one paid me to say that.”

Suddenly, the screens behind them flickered on—displaying a FactCheck.org statement in massive letters:

“Claims that Kamala Harris paid celebrities for endorsements: FALSE.”

The crowd gasped—another twist, another truth bomb.

The Unexpected Guest

Just when it seemed the night had reached its climax, another figure walked on stage—unannounced.
Oprah Winfrey.
She took the mic: “For the record, I did not take a dime for any endorsement. But tonight, I’m here for free, for truth, for love, for justice.”

With that, Bono, Bruce, and Oprah led the crowd in a rousing reprise of This Land Is Your Land, joined by surprise guest Beyoncé, who had been watching from the wings.

Aftermath

The media exploded the next morning. Headlines around the world screamed about the night Bono and Bruce Springsteen clapped back live on stage against Trump’s accusations.

Trump himself reportedly fumed, calling it “a staged spectacle” on Truth Social. But the damage was done. The performance had gone viral within hours, with millions sharing clips of Bruce’s speech and Bono’s rewritten lyrics.

More importantly, the message was clear:
“You can smear us. You can shout at us. But you will not silence us.”

The Real Twist?

Later, a source close to the production revealed that Bono and Bruce had improvised the entire second half of their performance—Oprah and Beyoncé included—within an hour of going on stage.

“It was pure adrenaline. A moment of defiance that none of us will ever forget,” the source said.

Neither Bono nor Bruce have commented further. As Bono told a reporter backstage:
“The music said it all.”

 In a moment no one could have predicted, the worlds of rock royalty and British royalty collided in a performance that will be talked about for years. During Queen + Adam Lambert’s electrifying sold-out show at London’s O2 Arena last weekend — part of their Rhapsody tour — Prince William stunned 20,000 fans by making an unexpected appearance on stage. But the real shock came when he joined Adam for an emotional, unplanned duet of “Somebody to Love” — leaving Princess Kate visibly floored in the VIP box.

The night had already been magical, with Brian May and Roger Taylor delivering powerhouse performances alongside Adam’s signature soaring vocals. The crowd was on a high when the familiar opening chords of “Somebody to Love” echoed through the arena. Adam’s voice rang out — flawless, soulful, commanding.

Then, halfway through the song, Adam turned to the wings — and out walked Prince William, dressed casually, microphone in hand. The arena erupted. Even Adam looked briefly stunned before flashing a grin and welcoming him in.

And then William sang.

His voice wasn’t polished, but it was sincere — steady, heartfelt, and unafraid. As he and Adam harmonized, Brian May and Roger Taylor smiled from the stage, clearly in on the surprise. Their voices merged beautifully, transforming the performance into something more than a concert — it became a moment of raw human connection.

In the VIP box, Princess Kate gasped, covering her mouth, visibly overcome. “She looked absolutely shocked and deeply moved,” one fan shared. “You could see the pride in her eyes.”

As the final chorus built, Adam stepped back with a supportive nod, letting William deliver the last few lines alone. The audience rose to their feet, a sea of applause and emotion. Tears flowed, not just in the crowd, but reportedly from several members of the royal box.

Social media exploded:

“I just witnessed Adam Lambert and PRINCE WILLIAM sing QUEEN. I have no words.”
“Kate’s reaction? Priceless. What a night for the books.”
“Music can bridge anything — even the gap between a rock star and a future king.”

Insiders say the duet happened almost spontaneously — backstage before the show, William, a lifelong Queen fan and mental health advocate, joked about how he’d always dreamed of singing “Somebody to Love.” Adam simply replied, “Tonight’s your night.”

Proceeds from the show benefited several mental health charities supported by both Queen and the royal family — making the surprise performance even more meaningful.

Because sometimes, music reminds us that no matter your title, your fame, or your fears — we all need somebody to love.

Adam Lambert has hit back at homophobic trolls who criticised his boyfriend’s appearance on social media over the weekend.

The ‘Holding Out For a Hero’ singer has been dating his partner Oliver Gliese for over two years.

The 40-year-old regularly posts photos of Oliver, 28, on Instagram, where Oliver’s gender-queer sense of style sometimes attracts anti-gay comments.

However, after photos of the pair on a night out in West Hollywood last Friday made it onto the internet and yet again prompted “obnoxious homophobia”, as Adam put it, the American Idol alum decided to take action.

“Grow up and challenge yourself to explore tolerance” – Adam Lambert

“Oli and I had a fun night out!” the ‘What Do You Want From Me?’ singer said in an Instagram Story. “Rare to encounter paps in WEHO – so retro. Haha. Lifts my spirits to see support in the comments.”

“Oli identifies as a he,” the former Attitude cover star went on. “He has wicked style and refuses to conform to the societal norms regarding his fashion choices.

“He is beautiful and brave and daring. He’s a leader not a follower. One of the many things i love about him!”

Adam – who released his fifth studio album High Drama earlier this year, and headlined Pride In London last month – furthermore continued: “We are very happy together and if the haters don’t like it, we don’t really give a f**k.

“Grow up and challenge yourself to explore tolerance. We are all just trying to stay happy and fulfilled with our lives.”

There are moments in music when the curtain between performer and audience disappears—not because of lights or volume, but because of something more raw, more human. One of those moments lives inside a song that Robert Plant didn’t just sing—he survived. “All My Love”, a haunting ballad performed during Led Zeppelin’s final tour in 1980, is not just a song for fans. It’s a requiem. A farewell. A father’s cry stitched into melody.

Robert Plant wrote “All My Love” in the aftermath of unimaginable grief: the death of his 5-year-old son, Karac, from a sudden stomach virus while Plant was on tour in 1977. The tragedy shattered him. For a man known for his thunderous stage presence, otherworldly vocals, and mystical lyrics, this loss stripped him to the bone. There were no dragons, no stairways, no mythology in this one—just pain.

When he performed “All My Love” live, it was clear this wasn’t entertainment. This was testimony. His voice, always powerful, softened into something almost unrecognizable—tender, trembling, painfully human. Onstage, in front of tens of thousands, Plant wasn’t a rock god. He was a grieving father, laying bare his soul in front of strangers. And yet, the crowd didn’t feel like strangers in that moment. Every note pulled them into the silence between heartbeats. Into the ache of absence.

You could see it in his face—the way he’d close his eyes during the chorus, how the words “all of my love, all of my love to you” landed like a whispered prayer. It wasn’t written for radio. It wasn’t written for chart success. It was written for one little boy who never got to grow up. And when Plant sang it, it was as if time folded inward. For those few minutes, the audience wasn’t watching a performance—they were witnessing a man reaching across the veil, saying the things a father never got to say.

There’s no video from that era that truly captures the weight of the moment—not because the footage doesn’t exist, but because some emotions can’t be translated through screens. You had to be there, to feel the air get heavy, to hear the crowd go silent not out of reverence, but out of shared heartbreak.

And perhaps what makes “All My Love” even more powerful is what it represents: the resilience of art. The idea that even in the most brutal moments of loss, we can still create. Still sing. Still honor the ones we’ve lost by carrying their memory in something that lives on.

Robert Plant never wrote another song quite like it. Maybe he couldn’t. Maybe he didn’t need to. “All My Love” wasn’t just a tribute—it was a wound turned into music. And every time it’s played, Karac’s name echoes a little louder across the years.

Because grief may take your breath away, but sometimes, music gives it back.

The image of James Hetfield, the legendary frontman of Metallica, singing alongside pop sensation Lady Gaga during their performance of “Moth Into Flame” became an iconic moment in Grammy history. This electric duo graced the stage at the 59th Grammy Awards held at the Staples Center in L.A. on February 12, 2017.

The surprising collaboration between Lady Gaga and Metallica began at a casual dinner party at actor Bradley Cooper’s house. Metallica’s drummer, Lars Ulrich met Lady Gaga there and came up with a brilliant idea.

Ulrich recalled, “I was at a dinner party [with Gaga] and we were sitting next to each other… and I thought, ‘Wait a minute, this would be cool.’ So I said, ‘We’re doing the Grammys in a couple of months, do you wanna join us?’ and she immediately replied, “Yes, that would be great.”

This led to the high-profile collaboration. Lady Gaga and Metallica performed an incredible live version of “Moth Into A Flame” on stage. Watch the video below:

On that night, Lady Gaga and Metallica encountered problems that almost overshadowed their amazing performance. Firstly, Laverne Cox, who introduced the performance, forgot to mention Metallica but later apologized for the oversight on Twitter. Metallica then faced microphone issues at the start of their performance, muting his powerful voice.

However, thankfully, Lady Gaga’s quick thinking turned a potential disaster into a memorable performance. She generously shared her microphone with Hetfield, transforming a technical issue into an intimate duet.

Honestly, the brilliance of this performance lies in the imperfection caused by the mic failure and how Lady Gaga and James Hetfield adapted to it. The dress rehearsal was technically “better”, but it lacked the interesting spontaneity of the live performance. The incredible musicians and performers seamlessly adapted to the unexpected situation, earning praise from the audience for their amazing handling of the mic outage.

 It was meant to be a celebration of British art, legacy, and unity—a royal gala at the Royal Albert Hall in honor of the Prince’s Trust’s 50th anniversary. The lineup was impressive: Adele, Ed Sheeran, Sam Smith, even a surprise reunion performance by Coldplay. But what no one could have anticipated was the moment that would steal the night—and the hearts of millions watching around the world.

Near the end of the evening, the stage dimmed. A single spotlight lit the iconic grand piano that had been wheeled onto the stage with deliberate care. Then, from the side wing, Sir Elton John appeared. The crowd erupted. At 78, he remains a legend, his presence as commanding as ever—sequined blazer, tinted glasses, and that familiar, gracious smile. As he took his seat at the piano and played the opening chords of “Your Song,” few expected what was about to unfold.

Because then—Princess Catherine, the Princess of Wales, walked out to join him.

There was a collective inhale from the audience, the kind of hush that only happens when something truly special is about to begin. She wore a simple, elegant ivory gown, her hair swept into a soft updo, a single sapphire pendant resting over her heart—a subtle tribute to her late mother-in-law, Princess Diana. And then, with a glance toward Elton and a quiet nod, she sang.

A Voice the World Had Never Heard

No one expected her to have the voice she did—soft, sincere, just slightly trembling with emotion. Not flawless, not polished like the artists before her that night, but real. That authenticity gave the performance its power. She didn’t try to impress; she came to connect.

The choice of “Your Song” was deeply intentional. Originally released in 1970, it’s one of Elton John’s most enduring hits—a song about offering love with simplicity and honesty, “just a simple song” from one heart to another. In the context of the gala, and with Princess Kate by his side, the song took on new meaning.

For Sir Elton, this performance wasn’t just another rendition. It was a personal, full-circle moment. His relationship with the royal family spans decades—he was close friends with Diana, Princess of Wales, and famously performed “Candle in the Wind” at her funeral in 1997. He’s since remained close to Princes William and Harry, offering support through their darkest days. Watching him play alongside Kate—Diana’s daughter-in-law, the mother of the future king—was more than music. It was a tribute to legacy, healing, and continuity.

Behind the Scenes: A Secret Rehearsal

According to sources close to the royal household, the duet had been in quiet planning for months. Princess Kate, known for her poise and dedication to duty, had expressed a desire to contribute something personal to the gala. It was her idea to sing. She reportedly said, “I wanted to do something that felt human. Vulnerable. Something that reminded people that behind all this, we’re just people, too.”

Rehearsals were kept secret. A few musicians at Abbey Road Studios were sworn to silence. Elton was said to be deeply moved by her sincerity and effort. “She’s not a performer, but she sang from her heart,” he shared later. “And that’s what music is about.”

And it showed. During the performance, she sang the second verse, her voice barely above a whisper at first:

“I hope you don’t mind, I hope you don’t mind / That I put down in words / How wonderful life is while you’re in the world…”

As her voice wavered slightly, Elton’s piano gently filled in the space, steadying her, supporting her. It was less like a performance and more like a conversation—between generations, between the public and the private, between the past and the present.

An Audience in Tears

The effect on the audience was immediate and overwhelming. Phones were lowered. Tears flowed freely. You could hear muffled sobs even through the applause. Many in the crowd were longtime fans of Elton, some who had seen Diana’s kindness firsthand during hospital visits and public engagements. To see her legacy honored not with pomp, but with music, and with vulnerability—that struck a chord far deeper than anyone expected.

Social media exploded within minutes. #YourSong trended worldwide. One post read, “I didn’t think I’d cry tonight, but Princess Kate singing with Elton John? That was everything.” Another said, “Not just a royal moment. A human one.”

Even world leaders and public figures chimed in. Former First Lady Michelle Obama called the performance “breathtaking,” while Paul McCartney tweeted, “Music at its best—heartfelt, timeless, and beautifully brave.”

More Than a Performance—A Message

In many ways, this duet wasn’t just a tribute to music or charity. It was a statement. A reminder that vulnerability isn’t weakness—it’s strength. That in a world increasingly dominated by spectacle, sincerity still cuts through the noise.

Princess Kate didn’t have to sing. In fact, most advisors initially discouraged it, fearing criticism. But she insisted. As one palace aide revealed, “She wanted people to see her—not the title, not the role—but her. And to connect.”

And in doing so, she gave the monarchy something it rarely has: an unscripted, emotional moment of unity. A glimpse of the beating heart behind the crown.

A Standing Ovation, and a Shared Smile

As the final note faded and silence returned, the audience rose to their feet in one of the longest standing ovations of the night. Elton stood, gently took Kate’s hand, and bowed—not with showmanship, but with gratitude. Kate, visibly moved, gave a small curtsy to the crowd, then turned to Elton with a smile that spoke volumes: relief, pride, and maybe even healing.

Later that night, the official Kensington Palace account posted a short video of the performance with the caption:
“For all those who use music to speak when words fall short. Thank you, Sir Elton, for sharing this moment with me.”

Elton responded simply:
“The honor was mine. Diana would’ve been proud.”

The Legacy of “Your Song”

Long after the lights dimmed and the final curtain fell, the memory of that duet lingered. It wasn’t just another gala moment—it was the kind of cultural milestone that becomes part of history. People will remember where they were when they saw it. Not because of celebrity or novelty, but because it reminded them of something essential: that music can still move us. That grief, love, and legacy are threads we all share. And that even those born into palaces sometimes just need to sing a song from the heart.

In a world often fractured by noise, that one duet—simple, beautiful, true—sounded like grace.

Rock royalty is heading back to the spotlight. Queen legends Brian May and Roger Taylor are reuniting once again with powerhouse vocalist Adam Lambert for their long-awaited return to North American stages—their first tour across the continent in four years.

Announced as The Rhapsody Tour, the 14-date run begins in Baltimore this October and will crescendo in Los Angeles by mid-November. Fans can expect a full-throttle 150-minute set packed with Queen’s timeless anthems—from “We Will Rock You” and “Don’t Stop Me Now” to “Somebody to Love” and “Radio Ga Ga”—alongside deeper cuts that loyalists have long cherished.

For the band, the magic isn’t just in the music—it’s in the shared connection with fans. “Every night, those two and a half hours belong to the people in front of us,” said May, 75. “We give them everything we’ve got. It’s a rush—and if it ever stops being fun, that’s when we’d stop doing it.”

Lambert, 41, echoed the sentiment, calling the live experience electric. “The audience is the fuel. Seeing thousands of people singing their hearts out—there’s nothing like it. It charges you. It keeps you going,” he said. “It’s kind of addictive.”

While their energy on stage remains legendary, Taylor, 73, joked that he’s content preparing in his own classic style—no intense vocal warm-ups for him, just a splash of Irish whiskey and a Diet Coke before showtime. “Adam’s vocal rituals are impressive,” he said with a grin. “I’m happy to cheer him on from the side.”

Though Queen + Adam Lambert toured Europe and the UK last year, this marks their official North American return after a pandemic-forced hiatus. Since their last outing, all three musicians have kept creatively busy: May reissued solo projects, Taylor released his first solo album in nearly a decade, and Lambert unveiled High Drama, a genre-hopping collection of cover songs.

But for May and Taylor, this collaboration with Lambert remains more than just a touring act—it’s the revival of something they once thought was gone forever.

“After Freddie passed, we assumed Queen was finished,” May shared, reflecting on the band’s loss of Freddie Mercury in 1991. “We didn’t look for a new singer—we didn’t think it would ever happen again. Then Adam appeared, almost out of nowhere.”

Their first meeting came in 2009, when Lambert, then a contestant on American Idol, stunned audiences with his soaring range and theatrical flair. “His voice is something else. There’s really nothing like it,” said May. “And the look—the glam, the sparkle—he was born to wear diamonds.”

But what makes Lambert a true fit for Queen, the band says, is his reverence for Mercury’s legacy without trying to imitate him.

“He doesn’t try to be Freddie. That’s so important,” May noted. “He honors him, as we all do, but he brings his own interpretation to every song. That’s the magic—he makes the music new again.”

Lambert agrees, calling their creative partnership a “team effort.” “Freddie laid the foundation for all of this. He was one of a kind. I don’t try to replace him—I just try to exist in the space he created, and have fun with it. From what I’ve heard, he loved a bit of mischief too.”

The camaraderie between the trio is evident on and off the stage. “Adam’s kept us young,” joked May. Lambert fired back with a laugh: “I’ve introduced them to eyeliner and high heels.”

Taylor, meanwhile, offered a more serious note on Lambert’s contributions. “Having a voice like Adam’s at the front of the band—it gives us confidence. We can trust him to carry these songs and make them soar.”

As for any talks of retirement? Don’t count on it.

“No way,” May said definitively. “To be able to do this at the level we’re doing it, and still love it—it’s a blessing. Why would we stop? I’ll probably keep doing this until I drop.”

Queen + Adam Lambert – The Rhapsody Tour (North America 2025)

Oct 04 – Baltimore, MD – CFG Bank Arena

Oct 08 – Toronto, ON – Scotiabank Arena

Oct 10 – Detroit, MI – Little Caesars Arena

Oct 12 – New York, NY – Madison Square Garden

Oct 15 – Boston, MA – TD Garden

Oct 18 – Philadelphia, PA – Wells Fargo Center

Oct 23 – Atlanta, GA – State Farm Arena

Oct 25 – Nashville, TN – Bridgestone Arena

Oct 27 – St. Paul, MN – Xcel Energy Center

Oct 30 – Chicago, IL – United Center

Nov 02 – Dallas, TX – American Airlines Center

Nov 05 – Denver, CO – Ball Arena

Nov 08 – San Francisco, CA – Chase Center

Nov 11 – Los Angeles, CA – BMO Stadium

The American Idol alum and Queen singer’s currently playing the Emcee on Broadway, and turned Studio 6B into the Kit Kat Club.

Life is a Cabaret for Adam Lambert.

In September 2024, the Queen frontman and American Idol alum joined the latest revival of the Kander & Ebb musical, making his Broadway debut as the Emcee. And Lambert transformed The Tonight Show Starring Jimmy Fallon into the Kit Kat Club on February 10, performing the emotional number, “I Don’t Care Much.”

Adam Lambert brought Cabaret‘s Kit Kat Club to The Tonight Show with “I Don’t Care Much”

Backed by a live band, Lambert belted the ballad while bathed in green light. As his effortless, velvety vocals washed over the audience, he transported them to Cabaret‘s seedy Berlin nightclub setting. Lambert released “I Don’t Care Much” as a single back in December, even filming a music video for the track at the Kit Kat Club where the Broadway revival is performed.

Talking with The New York Times in December, Lambert described “I Don’t Care Much” as a “real emotional moment of struggle with indifference” for his character, adding that the Cabaret team “were so kind to raise the key to make it more of a torch song for me.”

When the “Whataya Want From Me” singer visited TODAY in November, Al Roker asked Lambert why he decided to tackle the iconic role of the Emcee. Lambert revealed it “was definitely on a shortlist of parts I’ve always wanted to play, mainly because he’s just weird and wild and wonderful.”

“It’s a bit of an abstract character, he’s a kind of like a narrator. He welcomes the audience in and then guides them through this story,” he explained. “And the story of Cabaret is a big surprise for a lot of people. They don’t know necessarily know what they’re in for.”

Lambert succeeded Eddie Redmayne in the role, for which The Day of the Jackal star received a Tony nomination.