When Adam Lambert and Helene Fischer teamed up with Queen for an unforgettable performance of “Who Wants to Live Forever,” the music world was left in awe. The iconic song, originally released by Queen in 1986, has long been recognized as one of the band’s most poignant ballads. However, this performance took the song to new heights with the collaboration between Lambert, Fischer, and the legendary band.

Plenty of things have changed for the better since Adam Lambert skyrocketed to fame as runner-up on “American Idol” in 2009. Not only in his life but in the world, he told the hosts of “The View” on February 17, 2025.

But the singing sensation, who stars in Broadway’s “Cabaret” through March 2025, acknowledged that the revered musical, which takes place during the Nazis’ rise to power in Berlin, feels “very relevant” as an artist who’s both openly gay and Jewish.

“Right now, in particular, it’s eerie to be up there and talking about things that are happening again in our country,” he told the hosts. But he urged viewers to be a force of “unity and hope” if they’re feeling anxious.

During Lambert’s discussion about his Broadway debut on “The View,” host Alyssa Farah Griffin asked the “What Do You Want From Me” singer for his advice to viewers feeling “uneasy” about shifting perceptions and federal protections for the LGBTQ community.

“We’ve seen LGBTQ rights being rolled back in real time in this country,” she said, “and the play feels timely because of that. What’s your message to people right now who are feeling just uneasy about the moment in history that we’re in?”

President Donald Trump’s actions on the first day of his second term, according to Reuters, included repealing multiple policies instituted to combat discrimination “based on gender identity or sexual orientation.”

“It’s hard, this is hard,” Lambert replied to Griffin, who served as in Trump’s first administration. “I think, first and foremost, one of the things I’ve been talking to friends about is you do have to protect your mental health. The doom scrolling on social media can get really taxing on your emotional well-being. It is scary right now. It’s one thing after another, it’s chaos.”

“The best thing that we can do is build community,” he continued. “Be there for each other, especially people in the LGBTQ community and people that are our allies. Our community has always been really strong. We’ve gotten really strong over the years, making big changes. That doesn’t have to change.”

Lambert encouraged viewers to “band together and push back with unity, and hope, and love.”

Adam Lambert Says His ‘Dream’ is to Inspire Others to ‘Be Who They Are’

Before performing “I Don’t Care Much” from “Cabaret,” Lambert told “The View” hosts that once his run in the show is complete on March 30, he looks forward to making new solo music and continuing to be a vocal advocate for issues he cares about.

“I’m just so proud that I get to be visible in this time (whether) I’m making my own music or I’m a part of ‘Cabaret,’” he said. “The last 15 years since I was on TV with ‘American Idol,’ so much has changed, mostly for the better.”

When Lambert was on “Idol,” there was no mention on the show of him being gay, though he’d come out to his friends and family at age 18. A year after being on the show, he was nearly banned from ABC after kissing a male keyboardist during his performance on the AMA’s, he told Entertainment Weekly, adding that “I didn’t realize that that kind of thing would ruffle feathers the way it did.”

Now, in 2025, Lambert told the hosts on “The View” that he’s hopes that by expressing himself authentically he can continue to be an inspiration to others, from his fans to artists like Lil Nas X.

“We’re in a weird spot right now, but getting to be visible, getting to be a gay man — and with ‘Cabaret,’ I’m also Jewish — there’s a nice Venn diagram intersection there,” Lambert said. “Just getting to be visible and daring to be myself and to express myself, I hope that it gives people encouragement and freedom to be who they are. That’s the dream.”

Fans flooded YouTube videos of Lambert’s appearance on “The View,” thanking him for his encouraging words, including one who wrote, “Life advice from Adam, I am here for it! Adam, you are a great light. Sending respect and admiration from afar.”

Another viewer wrote, “You can’t help but like Adam. I don’t care if he’s gay or whatever. He’s a nice person and it shows by how he talks and relates to people. His voice is out of this world as well.”

Their voices complemented each other perfectly, blending country soul and undeniable chemistry into a dynamic, unforgettable duet. For many fans, like the one who shared a special memory about how this song reflects the love story with their wife, it’s more than just a performance—it’s a deeply personal experience. Keith’s talents as a guitarist, lyricist, and vocalist shine through in every note, and his ability to maintain such a rich tone while performing complex songs has left fans in awe

Sadly, Keith Urban and Carrie Underwood were both shut out of the 2017 Academy of Country Music Awards. However, they still killed it on stage. Keith started with a performance of his hit “Blue Ain’t Your Color” before gliding seamlessly into the chiming chords of “The Fighter.”2017 ACM Awards Winners List and Live Blog

Then, Carrie emerged from the background in a shimmery mini-dress to perform her part of the song. The duo delivered a light-hearted duet while Keith’s wife (RELATIONSHIP GOALS) Nicole Kidman grinned and clapped along in the audience. Keith did a great great job melding the two disparate songs together.

Country music fans were treated to something truly special with the release of Forever Country, a once-in-a-lifetime collaboration that united some of the genre’s biggest legends and rising stars. This powerful tribute, created for the Country Music Association’s 50th anniversary, seamlessly blended three iconic songs into a breathtaking masterpiece.

Featuring a lineup of country greats from different eras, the song celebrated the rich history of the genre while reminding the world why its influence remains as strong as ever. It was more than just a music video—it was a defining moment in country music history.

“Forever Country” is truly a celebration of country music’s rich history and bright future. By blending three timeless classics—Hank Williams Sr.’s “Hey, Good Lookin’,” John Denver’s “Take Me Home, Country Roads,” and Dolly Parton’s “I Will Always Love You”—the song honors the legends who shaped the genre while spotlighting today’s biggest stars.

Shot in various locations, the music video for “Forever Country” seamlessly weaves together imagery that reflects the genre’s deep roots—from rolling green hills to golden fields at sunset. Featuring legendary artists sharing the spotlight, the video beautifully captures the spirit of country music’s past, present, and future. Combined with its cinematic visuals and heartfelt performances, the timeless sound continues to unite generations of fans.

“Forever Country” quickly went viral, not just for its star-studded lineup but for its heartfelt tribute to country music’s rich storytelling tradition. The song resonated with fans and critics alike, climbing the Billboard Hot Country Songs chart and earning widespread praise. Its success was further cemented with multiple award nominations, including nods from the CMA Awards and the Grammys.

Ella Langley and Riley Green joined forces on CMT Studio Sessions for a performance that radiated authenticity and heartfelt chemistry. In a collaboration that melded contemporary country with soulful artistry, the duo delivered “You Look Like You Love Me” with a raw passion that resonated with every note. The intimate studio setting provided a perfect backdrop for a performance that was both polished and emotionally charged, inviting viewers into a world where love and music intersect seamlessly.

From the opening chords, Ella Langley’s rich, expressive vocals intertwined with Riley Green’s resonant tone to create a musical dialogue that felt both spontaneous and meticulously crafted. Their synergy was palpable, with every verse and refrain reflecting the genuine connection between the artists. Critics have already hailed the session as a standout moment in country music, noting that the performance captured the essence of modern romance while paying homage to the genre’s traditional roots.

The arrangement of “You Look Like You Love Me” was minimal yet impactful, allowing the raw talent of both singers to shine through without distraction. Subtle acoustic instrumentation supported their voices, emphasizing the intimate nature of the song’s lyrics. The collaboration is a testament to the evolving landscape of country music, where genre lines blur to create fresh, innovative sounds that still honor the legacy of the past.

During the session, both artists shared insights into the inspiration behind the track, revealing that it is a celebration of vulnerability and honest connection. Their candid reflections added a personal dimension to the performance, deepening the audience’s emotional engagement. As the final note lingered in the studio air, applause from the live audience confirmed that Ella Langley and Riley Green had delivered a performance that will undoubtedly leave a lasting imprint on the hearts of country music fans.

To celebrate 50 years, “ Saturday Night Live ” hosted a star-studded concert on Friday featuring musical guests who have appeared on the program throughout the decades.

Cher was among the performers who took the stage at Radio City Hall for the “SNL50: Homecoming Concert”, transporting the crowd back to 1989 with a rendition of her hit “If I Could Turn Back Time.”

The 78-year-old icon wore the same sexy outfit — a see-through black bodysuit — that she did in the famed music video filmed 36 years ago.

Teamed with a leather jacket, Cher wowed the crowd with her age-defying physique and stamina.

Other celebs who performed at the event included Miley Cyrus, Bad Bunny, The Roots, Arcade Fire, Backstreet Boys, Bonnie Raitt, Brandi Carlile, Chris Martin, David Byrne and Lady Gaga.

“SNL” aired its first-ever episode in 1975 with musical guests Billy Preston and Janis Ian.

To celebrate half a century on air, a star-studded special is set to air this Sunday.

And with the program rapidly approaching, Keith Raywood, who has been a production designer on the series for forty years, took a moment to reflect on “SNL.”

“I’ve been a part of this pretty much my entire adult life,” the Emmy-winning production designer told The Post.

“I’ve always looked at it as something I love doing, but it’s also my job,” Raywood continued. “We’re not designing things aware of what it might mean – like ‘this cowbell is going to become iconic’” he said, referring to Will Ferrell and Christopher Walken’s iconic “More Cowbell!” sketch

“You don’t know about [the audience reaction]. You’re just part of the entire process.”

After decades working on set, Raywood is just now realizing what a phenomenon the show truly is.

As he put it: “It’s only recently that I’ve become aware of how much the show has meant to people, how much it’s meant to the culture, how much it’s meant to New York.”

“I wasn’t aware of that until fairly recently. It’s very satisfying to know that I’ve been a part of all that.”

Raywood also spoke about how the show’s creator, Lorne Michaels, still has a hand in “Saturday Night Live” 50 years later.

“Lorne is very involved, but not in the sort ofnitty-grittyy of a particular sketch. We would be dealing with the director Liz Patrick. Or, a writer will come in and say they need something or they want to change a prop or something like that,” he explained.

As for celebrating the show’s half-centennial on the air?

“We [will] have about 450 people in the studio, which is essentially about 200 people more than we would normally have,” Raywood revealed.

The audience will be jam-packed with the special guests’ friends and family.

“Imagine all the people who have been on the show – those cast members and hosts. It’s a lot of people [there to see them]. And, those seats don’t normally exist,” he said.

Iconic cast members from past and present are set to make an appearance, including Jane Curtin, Amy Poehler, Chevy Chase , Adam Sandler, Chris Rock, Eddie Murphy, Will Ferrell, and others.

Although Raywood couldn’t reveal what viewers will see, he did tease that it will involve “lots of new and older cast members doing lots of sketches.”

Carrie Underwood’s performance of “Softly and Tenderly” at the CMA Awards was one of the most emotionally charged moments in recent memory, leaving both the audience and the singer herself overcome with emotion. As the soft, melodic notes of the hymn filled the air, Carrie’s voice shimmered with a tenderness and vulnerability that immediately struck a chord with the listeners. With every word she sang, there was an undeniable connection between Carrie and the song, as if it spoke to something deeply personal within her.

“Softly and Tenderly,” a classic hymn often associated with themes of comfort and hope, was the perfect song for such an intimate and emotional performance. Carrie’s interpretation of the song wasn’t just a vocal showcase; it was a journey through a moment of raw, unfiltered emotion. As the final, delicate notes floated through the air, the weight of the song’s message seemed to settle over Carrie, and her composure visibly faltered. Tears welled in her eyes as she fought to maintain her composure, her voice trembling with the weight of the moment.

The audience, who had been captivated by the powerful delivery, responded with a standing ovation, recognizing the courage it took for Carrie to open up in such a vulnerable way. The atmosphere was thick with emotion, as the crowd, moved by her performance, shared in the depth of her connection to the song. Carrie, clearly moved by the outpouring of support, took a moment to compose herself before acknowledging the audience’s appreciation.

For Carrie, this performance seemed to transcend the usual stage presentation. It wasn’t just a song—it was a window into her heart, a moment where she let down the walls she often maintains in public. It felt as though this was a deeply personal tribute, perhaps to loved ones, to a significant moment in her life, or to the emotional weight she carries in her journey as an artist and as a person.

As the tears continued to stream down her face, Carrie’s emotional vulnerability served as a testament to her authenticity, reminding everyone that even at the height of her career, she is still a person with the same emotions and struggles as anyone else. It was a moment that not only showcased her extraordinary vocal talent but also reaffirmed why Carrie Underwood has become such a beloved and respected figure in country music.

The performance left a lasting impact on the CMA Awards audience, as it highlighted the true power of music: its ability to evoke deep emotion and connect people on a profound level. It was clear that this was more than just another performance—it was an unforgettable, heart-stirring moment that fans and viewers would carry with them for a long time. Carrie’s raw honesty and ability to convey such deep emotion through her music proved once again why she is one of her generation’s most gifted and genuine artists.

The news of Carrie Underwood‘s participation in the inaugural event was announced last week and was met with mixed reactions from fans. The announcement came as a shock since the American Idol champ has stayed away from political appearances and statements over the course of her career.

In a 2019 interview with The Guardian, Underwood said that she tries to avoid anything political and that people try to “pin” her to a particular political stance.

“I feel like more people try to pin me places politically,” she said at the time. “I try to stay far out of politics if possible, at least in public, because nobody wins. It’s crazy. Everybody tries to sum everything up and put a bow on it, like it’s black and white. And it’s not like that.”

Shortly after it was announced that she was singing at Trump’s inauguration, Underwood released a statement saying that her participation was done in the “spirit of unity.”

“I love our country and am honored to have been asked to sing at the Inauguration and to be a small part of this historic event,” Underwood said. “I am humbled to answer the call at a time when we must all come together in the spirit of unity and looking to the future.”

Carrie Underwood‘s rendition of “America The Beautiful” was arguably one of the biggest highlights of Monday’s inaugural events.

Underwood, 41, looked stunning in a light gray, sleeveless dress as she took the stage in front of the Capitol building, where thousands had gathered to witness the historic event. After what appeared to be technical difficulties, Carrie chose to sing a beautiful a cappella rendition of “America the Beautiful” as many of the crowd sang along.

Video captured the moment Carrie told a staffer that she would “just sing it.”

Carrie’s appearance at today’s inauguration was met with both praise and intense backlash.

Underwood’s anti-Trump fans threatened to boycott her ahead of her performance and continued to criticize her afterward. But many others showed support and praised her for accepting the invitation, knowing that she would likely face criticism.

When it was all said and done, both sides agreed that Carrie’s performance was a beautiful addition to the history-making day. The “Jesus Take The Wheel” singer was praised for demonstrating grace under pressure as she handled technical difficulties like a pro.

Watch Carrie Underwood sing “America The Beautiful” at President Donald Trump’s inauguration in the video below.

It’s in our human nature to have the belief of death in our minds, and the way we depict death also connects with the scene of a dead animal, human, bird, or flies. So, what’s the connection between them, but we didn’t consider it before? The smell.

According to current research, the human nose can sense a wide variety of smells, which can not be located into any identified category but is nevertheless reacting to them. Such as the scent developed by a chemical known as putrescine. This is a chemical that the physique produces when it begins to decay, and one particular small issue to know is the scent is the outcome of the animal’s necrophobic behavior all through the years of evolution, and these responses are believed to have evolved at least 420 million years ago.

The animals are believed they react to the smell of putrescine as a sense of danger in two various techniques: the reaction that a predator is nearby, and the second is that they have been placed in life danger, so their instinct tells them to escape.

Scientists have created 4 various experiments on humans with a mixture of putrescine, water, and ammonia, just to prove that humans and their behavior are not any varioudifferentthe animals.

The 1st experiment, was exactly where participants had been tested to the scent of putrescine, as they had been exposed to the scent of it and tested out their vigilance. The outcomes showed that the participants who had been exposed to the scent of putrescine showed a lot more vigilance than those who had been exposed to ammonia and water.